My Writing Process blog tour

Thanks so much to the wonderful Sarah Yaw, who asked me to be part of the My Writing Process blog tour. Her debut novel, YOU ARE FREE TO GO, will be released by Engine Books* in September. Sarah lives in Central New York, where I lived for a decade. Over email, we discovered that we have a CNY friend in common. His name is Greg. If you're reading this, Greg, Hello!  
It's great to have an excuse to think about the writing process. I struggle with mine often, and I appreciate reading about how others go about their own work. And reflecting on process, as I so often tell my students, can be a means of understanding the work in a new way. Time to practice what I preach. 

Up next week are Andrew Scott and Barbara Shoup (see below for their bios). If you're a participant in this blog tour, I'm happy to link to your post here or in the comments. 

Away we go...

1) What are you working on? 

I'm in a waiting period on two projects: the release of my first novel, TRIP THROUGH YOUR WIRES, by Engine Books in Feb. 2015, and I've been querying agents for my YA novel, LAST SEASON. So in the interim, I've been revisiting short stories, working on revising them to put together as a collection. I've been writing very short pieces of fiction and some poetry, practicing compactness. (And, to be honest, the form appeals because I'm working within short stretches of time.) My back-burner project is a new novel; I've completed a first draft and plan to work on the second draft in the fall. I'm probably another full draft away from talking much about it. (See Question 4.)  

2) How does your work differ from others of its genre? 

It took me awhile to learn that my writing shouldn't necessarily fit into a category -- literary, commercial, mystery, or fill-in-the-blank. If it does, fine. But when I try to write toward a particular genre, then I'm not being true to the story and where it leads me. TRIP THROUGH YOUR WIRES could be thought of as literary, commercial, a mystery. But it's not truly a mystery novel -- only a mystery in that we can think that we know a person, when in fact they are a mystery to us. Often, we are a mystery to ourselves. Those are the kinds of books I like and strive to write: ones that may defy conventions, even as they pay close attention to language and character.     

3) Why do you write what you do? 

I write about what sticks in my mind and doesn't easily fade. The things I wonder about and want to know more about. Big questions or little ones that I don't have answers to -- I write toward those answers, even if I never find them. Sometimes I write because an image lurks in my consciousness and my subconsciousness needs to process it. I've always been fascinated by reading stories, and as I've gotten older, I've become fascinated about why we tell stories in the first place. It's such a common act of humanity, the kind of thing that truly binds us together. The need to understand our own experiences by describing what those experiences are like. And only we can tell others what the view is like through our particular windshield, as it were. I want to share my view. And when I read I want to look through other windshields.  

4) How does your writing process work?

Slow-fast-slow, alone-collaborate-alone. I start in semi-isolation, feeling out a story by taking notes, jotting ideas, writing lines and sketches and scenes. Then I write in big bursts and get the thing down relatively quickly. Then I revise, slowly, sometimes over the course of years. I tend not to talk about what I'm working on until I have a pretty solid draft finished. Keeping the story's energy close to me in the initial drafts has been useful, though I always want and need feedback later. But early on, letting the story sink in and grow and become whatever it's supposed to be is a necessary part of my process. I think it's possible to get too much input too soon, and instead of listening to the story, you're listening to feedback that could potentially derail it. I'm talking early-early. Once I'm a couple drafts in, I find it almost impossible to revise without feedback from trusted readers. Other people can see your work objectively, whereas you cannot. I say you, but I mean I. And you. We two.  

Coming up next week, these wonderful Indianapolis-based writers:  

Andrew Scott is the author of Naked Summer, a story collection, and the editor of 24 Bar Blues: Two Dozen Tales of Bars, Booze, and the Blues. His fiction and nonfiction have appeared in Esquire, Ninth Letter, The Cincinnati Review, Mid-American Review, Glimmer Train Stories, The Writer’s Chronicle, and other outlets. He is an editor at Engine Books and Lacewing Books.

Barbara Shoup is the author seven novels, including four for young adults, and the co-author of Novel Ideas: Contemporary Authors Share the Creative Process and Story Matters. She is the Executive Director of the Indiana Writers Center. A new YA novel, Looking for Jack Kerouac, is forthcoming from Lacewing Books in August, 2014.

*Engine Books seeks support for its Big Dream. Love literature? Want to see more great books in the world? Check it out and consider donating.  

The Next Big Thing

The Next Big Thing is a blog hop, a chance for writers all over the world to talk about what they're working on. When you’re tagged, you answer ten questions about your next book or story, link to the person who tagged you, then tag 3-5 other writers.

I was tagged by Barb Shoup, writer and advocate extraordinaire. I like to refer to her as my literary fairy godmother. (Read her Next Big Thing post here.) And while you're at it, read An American Tune, Barb's new novel from IU Press. Great stuff.

Check out a post here from Sarah White, an excellent writer and all-around person.

Now, the questions...

What is your working title of your book? Sleeping Woman

(NEW TITLE IN THE WORKS! 8/31/13)

Where did the idea come from for the book? When I started my MFA program at Purdue University, I knew I wanted to try to write a novel for my thesis, though I didn't know yet what I'd write about. In my second semester, I began a very short story told in second person, a "you" who becomes very sick while traveling abroad and is sent home. That short piece became a chapter, and ultimately the "you," once a man, turned into a she: Carey Halpern, the main character. Her physical ailments were revised out in later drafts, and it turned out that her real sickness was grief over her boyfriend's murder.

What genre does your book fall under? Literary fiction.

Which actors would you choose to play your characters in a movie rendition? When my sister read a draft a few years ago, she pictured James Franco as Ben. And look, if this is fantasy, I'll just go ahead and cast Jennifer Lawrence as Carey. Now that she's done blockbusters, perhaps she'll be looking for some indie work. For Mike: Matt Damon circa Good Will Hunting.

What is the one-sentence synopsis of your book? Indianapolis native Carey Halpern buries her grief and guilt deep inside when her boyfriend is murdered in Mexico during her junior year abroad; seven years later, her new job among recent immigrants, a familiar stranger online, and a break in the murder case force her to confront the role Ben played in her life – and the role she played in his death.

Do you have a publisher for your book yet? Not yet. It has come close a few times at places both big and small, which by turns gives me dyspepsia and encourages me to keep trying.

How long did it take you to write the first draft of your manuscript? About 2 1/2 years. I estimate that I've written about six or seven more drafts since then.

What other books would you compare this story to within your genre? Trick question. My work is completely original! But, if you like X, you will love Sleeping Woman! How's this: some books I found helpful while working on this novel were The Year of Magical Thinking by Joan Didion, Don Quixote by Cervantes, Birds of America by Lorrie Moore, You Shall Know Our Velocity! by Dave Eggers, and Child of My Heart by Alice McDermott. Also, Susan Minot’s Evening, Tom McCarthy’s Remainder, Kate Atkinson’s Started Early, Took My Dog and Case Histories. For starters.

Who or what inspired you to write this book? The summer between my junior and senior years of high school, I studied in San Luis Potosí, Mexico. It was life-changing, as these experiences are, and I often found myself returning in memory to that trip, particularly a side visit we made to the medieval city of Guanajuato. When I moved back to Indiana for my MFA, I was amazed at how much the Hispanic population had grown in Indianapolis. My study abroad experience came back to me instantly, though my Spanish was a little rusty. The changes in Indy -- and the way memory changes as you look back -- became topics I was interested in exploring.

A few of us from the exchange program recently reunited, and I found myself caught again between the memory of things that happened, and how other people remembered the same events. Small things, small differences, but still important ones. I returned to Mexico in 2005 to research the novel; much had changed, but there were some things I was surprised to remember wholly. They're in the book.

Guanajuato, GTO, Mexico

What else about your book might pique the reader's interest? There's a lot that people might relate to. Things like coping with a senseless death. Understanding yourself and your place in the world. Navigating language and cultural barriers, both at home and abroad. The electronic miscommunications that occurred in the mid-1990s -- the early days of the Internet and e-mail. Tourism, photography, and being socially aware. Immigration and all its risks.

The issues of immigration, forged documents, and illegal drugs are woven into the novel. Last October, The Indianapolis Star reported a record marijuana bust of more than 5.25 tons in an Indianapolis warehouse. The drugs came from a Mexican cartel. Immigration continues to be a hot-button topic, both locally and nationally, as Latinos are the fastest-growing group in the United States. Indianapolis’s Latino population (based on the city’s West side, the setting in the novel) grew 70 percent from 2000-2005; that’s more than any other group. American tourism in Mexico has plummeted, largely due to fears of drug-related violence.

These are current problems, and there are also evergreen themes: loss, grief, regret, and what to do with love when one’s intended will not or cannot accept it.